AAA Blog

Tip #1: Research Your Audition Requirements

Before you start planning your audition photos, take time to research each program’s specific requirements. What poses do they want? Are additional photos optional or encouraged? Are there any other special requests? Look at how the company or school presents itself and what kind of dancer they’re drawn to. Understanding these details helps you tailor your photos so directors can easily envision you as part of their program.

Tip #2: Make the Most of “Full-Body Images”

Many audition packages include optional or required full-body images. These photos are your golden ticket—your chance to authentically dance. Think of them as an opportunity to highlight what sets you apart and to let your unique artistry and performance presence shine.

Tip #3: Don’t Wait Until the Last Minute to Book Your Photoshoot

It’s a good idea to book your photoshoot well in advance so you get the date you want and avoid the stress of a looming deadline. Everyone is on the same schedule, so set a date as soon as you can. Also, make sure you have a commitment on delivery times.

I limit the number of photoshoots I take each week to give each dancer the time, attention, and experience they deserve. This also allows me to typically deliver basic audition packages—headshot, arabesque, plus one full-body image—within 24 hours, while larger portfolios may take a few days. During especially busy periods, things can take a little longer, but I’ve never taken more than a week to deliver finished audition photos.

Tip #4: Keep It Simple: Hair & Makeup

For classical ballet audition photos, a clean, tight bun is the best choice. For contemporary or commercial dance, you have more freedom to express yourself, but make sure your hair doesn’t draw too much attention or distract from your technique.

For makeup, think comfortable and confident. You won’t be on stage, so less is more. It’s easy to add more makeup if needed, but removing it mid-session can be a hassle. Don’t worry if you have a mild breakout the morning of your photoshoot—I’d rather retouch a blemish than fix layers of flaky concealer.

Tip #5: Keep it Simple: Wardrobe & Background

Let your dancing speak for itself. I recommend keeping things simple so your artistry stays front an center. Opt for solid colors and clean backgrounds in order to keep the focus on you.

I also have a wide array of leotards in my costume closet, with many colors and styles you’re welcome to use. Always pack your favorites plus a couple of extra options, just in case. Have an idea? Let’s chat before your photoshoot.

Tip #6: Don’t Forget Your Headshot

Keep your headshot simple and focused on what matters: a clean photo that best represents your personality and attitude. While a great headshot shows what you look like, it says even more about the energy and engagement you bring.

Start with your hair down before transitioning to a bun if you’d like multiple looks. I recommend light, natural makeup so the artistic director or program staff can see the real you.

We’ll work your angles and expressions to create a headshot that grabs their attention and makes them want to know more about you as an artist. One size definitely doesn’t fit all when it comes to headshots. Each dancer will have a different sweet spot where they look great and their expression says, “I’m someone you want in your company!”

Tip #7: Make Sure Your Photographer Can Get the Shot

It isn’t the camera that makes or breaks your audition photos—its the experience and approach of your photographer. You need someone who understands dance technique, can coach you along the way, and knows how to express it all through the camera. This isn’t the time for gimmicks like shooting from odd angles to artificially lengthen your legs. Artistic directors have seen those tricks a thousand times, and using them can send the wrong message.

Make sure you have time to get the shot. You aren’t going to knock out the Royal Five in 20 minutes. You need time to warm up, settle in, and get your movement fluid. If you’ve never worked with a photographer before, a little time is needed to get your communication going.

You may want to check out my article, Finding the Right Dance Photographer. Whether you are working on a tendu or Italian pas, make sure your photographer is going to give you the respect, support, time, and dedication you need and deserve.